NATC 2025 Phoenix

Join Sumie Kaneko, David Wells, and Isaku Kageyama in a workshop series where participants will be the first to learn WAISSHO Ondo ・ 和一緒 (ワイッショ) 音頭 ・an original song written by Sumie in the style of Bon Odori. This series will focus on learning the taiko, fue, and vocal parts of the song, giving participants a unique opportunity to be the first to bring this new composition to life at their local Obon Festival.

The shamisen class will begin with the basics. As you may know, the shamisen shares similarities with the taiko in its construction and use of bachi. We'll start with how to hold the instrument and then practice basic strokes, such as "don" and "uchikomi" (we'll even incorporate "kuchishoga"!). Once we're comfortable, we'll move on to reading scores. Since the song is new for everyone, I've created two shamisen parts: a beginner part with minimal hits and an intermediate part with more hits. For those who aren't familiar with score reading, don't worry—I'll guide you verbally through the music.

By the end of the series, you’ll have the knowledge and skills to perform a newly crafted song that honors the spirit of Obon. Recordings and practice tracks will be provided. This workshop is open to all experience levels and is designed to foster a sense of community through the shared joy of creating and performing music.

Participants in this workshop are invited to also take "Playing as an Ensemble for a New Bon Odori Song" on Saturday (4:45-6:45), where the drum, dance, fue, narimono, shamisen, and singing parts will come together to play as an ensemble. Participants are then invited to play WAISSHO Ondo for the closing ceremony of NATC Phoenix.

This Ondo is especially made for NATC participants who want to upgrade their musicality by not only playing taiko but also understanding the singing line and shamisen/fue line, so they can play the piece with consideration vertically in the music, not only horizontally playing your taiko part.

Please Bring: Shamisen if you have one. We will have shamisen that can be borrowed for those without.

This is a lunch time meetup for the Regional Ambassador's Program.

Join Sumie Kaneko, David Wells, and Isaku Kageyama in a workshop series where participants will be the first to learn WAISSHO Ondo ・ 和一緒 (ワイッショ) 音頭 ・an original song written by Sumie in the style of Bon Odori. This series will focus on learning the taiko, fue, and vocal parts of the song, giving participants a unique opportunity to be the first to bring this new composition to life at their local Obon Festival.

While your voice is your most accessible instrument, it's also hidden within your body. Similar to how you prepare your taiko and bachi, your voice needs warming up before singing.

The vocal class will begin with exercises to enhance body awareness and prepare your voice for singing, rather than speaking. Once your voice is ready, we'll dive into learning "WAISSHO Ondo," a piece that truly celebrates the power of vocals and kakegoe. Your voice and energy are essential!

By the end of the series, you’ll have the knowledge and skills to perform a newly crafted song that honors the spirit of Obon. Recordings and practice tracks will be provided. This workshop is open to all experience levels and is designed to foster a sense of community through the shared joy of creating and performing music.

Participants in this workshop are invited to also take "Playing as an Ensemble for a New Bon Odori Song" on Saturday (4:45-6:45), where the drum, dance, fue, narimono, shamisen, and singing parts will come together to play as an ensemble. Participants are then invited to play WAISSHO Ondo for the closing ceremony of NATC Phoenix.

This Ondo is especially made for NATC participants who want to upgrade their musicality by not only playing taiko but also understanding the singing line and shamisen/fue line, so they can play the piece with consideration vertically in the music, not only horizontally playing your taiko part.

Have you ever wondered why it is called upstage and downstage? Are you confused when someone tells you to move your drum stage right? Have you ever wondered what the heck a stage manager does? If so, then this workshop is for you.

Join Emma Valentine on a backstage tour of the behind-the-scenes magic of taiko shows. From rehearsals to performance, from load-in to load-out, from the booth to the wings, Emma will share firsthand knowledge of working professionally in theatre communities and how these experiences have translated to fit the taiko community.

Objectives:
By the end of this workshop participants will:
- Walk away with a basic knowledge in vocabulary, etiquette, North American theatre know-how and other fundamentals for live performers.
- Learn some tips and tools to confidently prepare as a performer to enter a theater space and transition smoothly to the stage. Expand beyond practicing songs.
- Know the who’s who of a theatre space, what their job description is and what you as a performing artist can provide them with in order to have an easy and respectful working relationship.

Join Sumie Kaneko, David Wells, and Isaku Kageyama in a workshop series where participants will be the first to learn WAISSHO Ondo ・ 和一緒 (ワイッショ) 音頭 ・ an original song written by Sumie in the style of Bon Odori. This series will focus on learning the taiko, fue, and vocal parts of the song, giving participants a unique opportunity to be the first to bring this new composition to life at their local Obon Festival.

The shamisen class will begin with the basics. As you may know, the shamisen shares similarities with the taiko in its construction and use of bachi. We'll start with how to hold the instrument and then practice basic strokes, such as "don" and "uchikomi" (we'll even incorporate "kuchishoga"!). Once we're comfortable, we'll move on to reading scores. Since the song is new for everyone, I've created two shamisen parts: a beginner part with minimal hits and an intermediate part with more hits. For those who aren't familiar with score reading, don't worry—I'll guide you verbally through the music.

By the end of the series, you’ll have the knowledge and skills to perform a newly crafted song that honors the spirit of Obon. Recordings and practice tracks will be provided. This workshop is open to all experience levels and is designed to foster a sense of community through the shared joy of creating and performing music.

Participants in this workshop are invited to also take "Playing as an Ensemble for a New Bon Odori Song" on Saturday (4:45-6:45), where the drum, dance, fue, narimono, shamisen, and singing parts will come together to play as an ensemble. Participants are then invited to play WAISSHO Ondo for the closing ceremony of NATC Phoenix.

This Ondo is especially made for NATC participants who want to upgrade their musicality by not only playing taiko but also understanding the singing line and shamisen/fue line, so they can play the piece with consideration vertically in the music, not only horizontally playing your taiko part.

Please Bring: Shamisen if you have one. We will have shamisen that can be borrowed for those without.

Join Sumie Kaneko, David Wells, and Isaku Kageyama in a workshop series where participants will be the first to learn WAISSHO Ondo ・ 和一緒 (ワイッショ) 音頭 ・ an original song written by Sumie in the style of Bon Odori. This series will focus on learning the taiko, fue, and vocal parts of the song, giving participants a unique opportunity to be the first to bring this new composition to life at their local Obon Festival.

The shamisen class will begin with the basics. As you may know, the shamisen shares similarities with the taiko in its construction and use of bachi. We'll start with how to hold the instrument and then practice basic strokes, such as "don" and "uchikomi" (we'll even incorporate "kuchishoga"!). Once we're comfortable, we'll move on to reading scores. Since the song is new for everyone, I've created two shamisen parts: a beginner part with minimal hits and an intermediate part with more hits. For those who aren't familiar with score reading, don't worry—I'll guide you verbally through the music.

By the end of the series, you’ll have the knowledge and skills to perform a newly crafted song that honors the spirit of Obon. Recordings and practice tracks will be provided. This workshop is open to all experience levels and is designed to foster a sense of community through the shared joy of creating and performing music.

Participants in this workshop are invited to also take "Playing as an Ensemble for a New Bon Odori Song" on Saturday (4:45-6:45), where the drum, dance, fue, narimono, shamisen, and singing parts will come together to play as an ensemble. Participants are then invited to play WAISSHO Ondo for the closing ceremony of NATC Phoenix.

This Ondo is especially made for NATC participants who want to upgrade their musicality by not only playing taiko but also understanding the singing line and shamisen/fue line, so they can play the piece with consideration vertically in the music, not only horizontally playing your taiko part.

Please Bring: Shamisen if you have one. We will have shamisen that can be borrowed for those without.

Community members of African descent are invited to gather for a BYOL (bring your own lunch) friendly meet up and open discussion. The space will be open on Saturday, Aug. 30 from 12:30-2:30.

Please feel free to contact me if you have questions at wanda@taikocommunityalliance.org or 510.205.7981. I look forward to hearing from you.

Cheers!
Wanda

Community members who identify as BIPOC are invited to gather for a BYOL (bring your own lunch) friendly meet up and open discussion. The space will be open on Saturday, Aug. 30 from 1:15-2:00.

Please feel free to contact me if you have questions at wanda@taikocommunityalliance.org or 510.205.7981. I look forward to hearing from you.

Cheers!
Wanda

Join Sumie Kaneko, David Wells, and Isaku Kageyama in a workshop series where participants will be the first to learn WAISSHO Ondo ・ 和一緒 (ワイッショ) 音頭 ・an original song written by Sumie in the style of Bon Odori. This series will focus on learning the taiko, fue, and vocal parts of the song, giving participants a unique opportunity to be the first to bring this new composition to life at their local Obon Festival.

While your voice is your most accessible instrument, it's also hidden within your body. Similar to how you prepare your taiko and bachi, your voice needs warming up before singing.

The vocal class will begin with exercises to enhance body awareness and prepare your voice for singing, rather than speaking. Once your voice is ready, we'll dive into learning "WAISSHO Ondo," a piece that truly celebrates the power of vocals and kakegoe. Your voice and energy are essential!

By the end of the series, you’ll have the knowledge and skills to perform a newly crafted song that honors the spirit of Obon. Recordings and practice tracks will be provided. This workshop is open to all experience levels and is designed to foster a sense of community through the shared joy of creating and performing music.

Participants in this workshop are invited to also take "Playing as an Ensemble for a New Bon Odori Song" on Saturday (4:45-6:45), where the drum, dance, fue, narimono, shamisen, and singing parts will come together to play as an ensemble. Participants are then invited to play WAISSHO Ondo for the closing ceremony of NATC Phoenix.

This Ondo is especially made for NATC participants who want to upgrade their musicality by not only playing taiko but also understanding the singing line and shamisen/fue line, so they can play the piece with consideration vertically in the music, not only horizontally playing your taiko part.

This workshop is for people who feel they have an interest in a melody instrument and are willing to try it out and discover new possibilities.

The shinobue seem to be easily included with the Taiko, and somehow, the Shakuhachi has always been forgotten. So we need to correct this lapse in the past 30 years, and along with the Shinobue, we would like to finally give those interested a chance to try the Fue and the Shakuhachi.

This will give you an insight into the different bamboo flutes and styles and help you find what works best for you. We will learn to extract sounds from the flutes, simple basic melodies, and ways to practice on our own or find sources to further our studies.

This is a great introduction to Japanese flutes. Discover the possibilities for making your taiko songs sound better and more musical.

Prerequisite/What to bring: If you have flutes, bring them along. We will have some Fues and Shakuhachi for you to try. Just bring a great attitude and an open mind to discover something new.

Learn about the physics of Taiko! How do vibrations relate to sound? How does a Taiko go “Don”? Join us as we explore the beautiful world of energy, vibrations, and resonance using various exercises, demonstrations, and simulations. By connecting what we hear and play with physics, we will uncover how every drum has a unique soul that can be heard and felt... but only if you're listening!

Learn about the physics of Taiko! How do vibrations relate to sound? How does a Taiko go “Don”? Join us as we explore the beautiful world of energy, vibrations, and resonance using various exercises, demonstrations, and simulations. By connecting what we hear and play with physics, we will uncover how every drum has a unique soul that can be heard and felt... but only if you're listening!

Taiko and ethnic studies has a long and enduring relationship in the context of North America. It is imperative, given the current climate of political precarity, to understand not only the ways in which racial dynamics operate within taiko spaces, but to understand taiko and race through relational lenses. From 'Racist Love' to techno-Orientalism, taiko remains a critical site of analysis for reckoning with the intimacies of race, gender, and other axes of power. My work situates taiko within foundational ethnic studies concepts such as Orientalism and intersectionality to build an understanding of the political opportunities and limitations that taiko makes possible. The discussion portion following the lecture provides a space for community members to ask questions and to participate in conversations at the forefront of ethnic studies and how it continues to shape the legacies and futures of taiko in the United States.

Prerequisite/What to bring: There is no prerequisite knowledge or personal equipment required for this discussion.

Join Sumie Kaneko, David Wells, and Isaku Kageyama in a workshop series where participants will be the first to learn WAISSHO Ondo ・ 和一緒 (ワイッショ) 音頭 ・an original song written by Sumie in the style of Bon Odori. This series will focus on learning the taiko, fue, and vocal parts of the song, giving participants a unique opportunity to be the first to bring this new composition to life at their local Obon Festival.

The shamisen class will begin with the basics. As you may know, the shamisen shares similarities with the taiko in its construction and use of bachi. We'll start with how to hold the instrument and then practice basic strokes, such as "don" and "uchikomi" (we'll even incorporate "kuchishoga"!). Once we're comfortable, we'll move on to reading scores. Since the song is new for everyone, I've created two shamisen parts: a beginner part with minimal hits and an intermediate part with more hits. For those who aren't familiar with score reading, don't worry—I'll guide you verbally through the music.

By the end of the series, you’ll have the knowledge and skills to perform a newly crafted song that honors the spirit of Obon. Recordings and practice tracks will be provided. This workshop is open to all experience levels and is designed to foster a sense of community through the shared joy of creating and performing music.

Participants in this workshop are invited to also take "Playing as an Ensemble for a New Bon Odori Song" on Saturday (4:45-6:45), where the drum, dance, fue, narimono, shamisen, and singing parts will come together to play as an ensemble. Participants are then invited to play WAISSHO Ondo for the closing ceremony of NATC Phoenix.

This Ondo is especially made for NATC participants who want to upgrade their musicality by not only playing taiko but also understanding the singing line and shamisen/fue line, so they can play the piece with consideration vertically in the music, not only horizontally playing your taiko part.

Please Bring: Shamisen if you have one. We will have shamisen that can be borrowed for those without.

Join Sumie Kaneko, David Wells, and Isaku Kageyama in a workshop series where participants will be the first to learn WAISSHO Ondo ・ 和一緒 (ワイッショ) 音頭 ・an original song written by Sumie in the style of Bon Odori. This series will focus on learning the taiko, fue, and vocal parts of the song, giving participants a unique opportunity to be the first to bring this new composition to life at their local Obon Festival.

While your voice is your most accessible instrument, it's also hidden within your body. Similar to how you prepare your taiko and bachi, your voice needs warming up before singing.

The vocal class will begin with exercises to enhance body awareness and prepare your voice for singing, rather than speaking. Once your voice is ready, we'll dive into learning "WAISSHO Ondo," a piece that truly celebrates the power of vocals and kakegoe. Your voice and energy are essential!

By the end of the series, you’ll have the knowledge and skills to perform a newly crafted song that honors the spirit of Obon. Recordings and practice tracks will be provided. This workshop is open to all experience levels and is designed to foster a sense of community through the shared joy of creating and performing music.

Participants in this workshop are invited to also take "Playing as an Ensemble for a New Bon Odori Song" on Saturday (4:45-6:45), where the drum, dance, fue, narimono, shamisen, and singing parts will come together to play as an ensemble. Participants are then invited to play WAISSHO Ondo for the closing ceremony of NATC Phoenix.

This Ondo is especially made for NATC participants who want to upgrade their musicality by not only playing taiko but also understanding the singing line and shamisen/fue line, so they can play the piece with consideration vertically in the music, not only horizontally playing your taiko part.