NATC 2025 Phoenix

Join Actually Autistic Artists, Yeeman “ManMan” Mui and Carrie Alita Carter, for an introspective workshop that invites participants to explore the connection between taiko, Neurodiversity, and personal creativity. In a society often focused on consumption, this workshop shifts the focus inward, encouraging participants to reflect on their own unique personal challenges and discover the beauty and resilience that arise.

Our show, Listening into Silence, grew out of our own personal struggles and revelations as we came to understand and claim our true selves. Humans and other life forms have developed coping mechanisms to survive and thrive in desert-like environments. The journey is difficult and, at times, debilitating, and there is beauty in that. It creates the transition from simply existing to prospering.

The session will begin with a powerful excerpt from Listening into Silence that intertwines spoken word and original taiko composition, setting the stage for introspection. Participants will then engage in silent reflection and journaling, using guided prompts to delve into their individual experiences and how these shape their artistic practice.

Through small group discussions and collaborative activities, attendees will have the opportunity to share insights about their own journeys, examining themes such as ableism, disability, and the intersection of neurodiversity and creativity. This workshop welcomes all levels of experience with taiko and encourages a spirit of openness, reflection, and personal growth.


Prerequisites and What to Bring:
This workshop is designed for participants of all backgrounds and experience levels, particularly those interested in exploring the intersection of taiko, neurodiversity, and personal creativity. No prior taiko experience is necessary; however, an open mind and a willingness to engage in self-reflection are essential.

Participants should come prepared with something to take notes with/on (notebook, computer, etc.). Chairs will be provided and if they prefer sitting on the floor, they are welcome to bring whatever would make them more comfortable there (pillow, etc.)

Have you ever wondered why it is called upstage and downstage? Are you confused when someone tells you to move your drum stage right? Have you ever wondered what the heck a stage manager does? If so, then this workshop is for you.

Join Emma Valentine on a backstage tour of the behind-the-scenes magic of taiko shows. From rehearsals to performance, from load-in to load-out, from the booth to the wings, Emma will share firsthand knowledge of working professionally in theatre communities and how these experiences have translated to fit the taiko community.

Objectives:
By the end of this workshop participants will:
- Walk away with a basic knowledge in vocabulary, etiquette, North American theatre know-how and other fundamentals for live performers.
- Learn some tips and tools to confidently prepare as a performer to enter a theater space and transition smoothly to the stage. Expand beyond practicing songs.
- Know the who’s who of a theatre space, what their job description is and what you as a performing artist can provide them with in order to have an easy and respectful working relationship.